"Not Peace But A Sword" (Safire Slams The Passion)By William Safire
Columnist Page: William Safire
New York Times
Published: March 1, 2004
WASHINGTON ...Mel Gibson's movie about the torture and agony of the final hours of Jesus is the bloodiest, most brutal example of sustained sadism ever presented on the screen.
...[snip] the bar against film violence has been radically lowered. Movie mayhem, long resisted by parents, has found its loophole; others in Hollywood will now find ways to top Gibson's blockbuster, to cater to voyeurs of violence and thereby to make bloodshed banal.
What are the dramatic purposes of this depiction of cruelty and pain? First, shock; the audience I sat in gasped at the first tearing of flesh. Next, pity at the sight of prolonged suffering. And finally, outrage: who was responsible for this cruel humiliation? What villain deserves to be punished?
Not Pontius Pilate, the Roman in charge; he and his kindly wife are sympathetic characters. Nor is King Herod shown to be at fault.
The villains at whom the audience's outrage is directed are the actors playing bloodthirsty rabbis and their rabid Jewish followers. This is the essence of the medieval "passion play," preserved in pre-Hitler Germany at Oberammergau, a source of the hatred of all Jews as "Christ killers."
Much of the hatred is based on a line in the Gospel of St. Matthew, after the Roman governor washes his hands of responsibility for ordering the death of Jesus, when the crowd cries, "His blood be on us, and on our children."
Though unreported in the Gospels of Mark, Luke or John, that line in Matthew embraced with furious glee by anti-Semites through the ages is right there in the New Testament. Gibson and his screenwriter didn't make it up, nor did they misrepresent the apostle's account of the Roman governor's queasiness at the injustice.
But biblical times are not these times. This inflammatory line in Matthew and the millenniums of persecution, scapegoating and ultimately mass murder that flowed partly from its malign repetition was finally addressed by the Catholic Church in the decades after the defeat of Naziism.
In 1965's historic Second Vatican Council, during the papacy of Paul VI, the church decided that while some Jewish leaders and their followers had pressed for the death of Jesus, "still, what happened in his passion cannot be charged against all Jews, without distinction, then alive, nor against the Jews of today."
That was a sea change in the doctrinal interpretation of the Gospels, and the beginning of major interfaith progress.
However, a group of Catholics rejects that and other holdings of Vatican II. Mr. Gibson is reportedly aligned with that reactionary clique. (So is his father, an outspoken Holocaust-denier, but the son warns interviewers not to go there. I agree; the latest generation should not be held responsible for the sins of the fathers.)
In the skillful publicity run-up to the release of the movie, Gibson's agents said he agreed to remove that ancient self-curse from the screenplay. It's not in the subtitles I saw the other night, though it may still be in the Aramaic audio, in which case it will surely be translated in the versions overseas.
And there's the rub. At a moment when a wave of anti-Semitic violence is sweeping Europe and the Middle East, is religion well served by updating the Jew-baiting passion plays of Oberammergau on DVD? Is art served by presenting the ancient divisiveness in blood-streaming media to the widest audiences in the history of drama?
Matthew in 10:34 quotes Jesus uncharacteristically telling his apostles: "Think not that I am come to send peace on earth: I came not to send peace, but a sword." You don't see that on Christmas cards and it's not in this film, but those words can be reinterpreted read today to mean that inner peace comes only after moral struggle.
The richness of Scripture is in its openness to interpretation answering humanity's current spiritual needs. That's where Gibson's medieval version of the suffering of Jesus, reveling in savagery to provoke outrage and cast blame, fails Christian and Jew today.
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