PRIVATE PARTS [1997]a review by Shlomoh Sherman |
PRIVATE PARTS [1997] |
Storyline:
I want to say at the outset that I am, and have always been, one of Howard Stern's biggest fans. Therefore, it would be hard for me not to give this film a super great review. But as everyone who follows Howard's career knows, there have been no bad reviews of the film. From the opening to the closing, you just sit there enchanted, wishing the film won't end just yet. Howard says he waited four years to make this film story of his life, waiting for the right script, the right director and the right producer, and the wait has paid off. The film follows Howard's career from his boyhood in Roosevelt, Long Island, New York to his rise as a super star dj at WNBC in New York City. His radio crew are also featured in the film, including Robin Quivers, Fred Norris, and Jackie Martling, with brief appearences by Gary Dell'Abate and Stuttering John Melendes. The high points of the film are the depictions of Howard's relationship with his program director at WNBC (Pig Vomit) wonderfully played by Paul Giamatti, and his love relationship with his wife Allison, played by the charming and pretty Mary McCormack. As I watched the film, I actually remembered many of the radio bits that it reprises. Howard is also remarkably made up to look as he did back in the early 1980s when I first discovered him on the air. There are some poignant moments in the film, especially between Howard and his wife. There are also some really funny moments. My personal opinion is that they could have included many more radio bits to make it even funnier. The acting is fair. Don't go to see the movie expecting Olivier and you will be happy. The sets and cinematography are very good. Howard's opening reenactment entrance as Fartman at the Academy Awards is handled superbly. This is a really good movie that most people can see. The film contains some profanity and sexual inuendo, so parental discretion is a must. But in general, most audiences will enjoy it as long as they don't go, expecting to see GONE WITH THE WIND. The musical soundtrack is abolutely riveting. From the opening credits' CALL ME THE AMERICAN NIGHTMARE (Howard with Rob Zombie) to the closing credits' I'M A TORTURED MAN (Howard with the Dust Brothers), the music rocks.New York |
Did You Know? Goofs: Quotes: Crazy Credits:
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Soundtracks: |
Cast (first billed only): |