Rise of the Planet of the Apes (2011)A review by Shlomoh ShermanSunday, August 14, 2011 |
Director: Rupert Wyatt Writers: Pierre Boulle (suggested by novel "La planète des singes"), Rick Jaffa, and 1 more credit » Stars: James Franco, Freida Pinto, John Lithgow, Andy Serkis Director: Rupert Wyatt <br> Producers: Peter Chernin, Dylan Clark, Thomas M. Hammel, Rick Jaffa, Amanda Silver, Kurt Williams Original Music by Patrick Doyle Cinematography by Andrew Lesnie Film Editing by Conrad Buff IV, Mark Goldblatt Casting by Heike Brandstatter, Coreen Mayrs, Debra Zane Production Design by Claude Paré Art Direction by Dan Hermansen, Helen Jarvis supervising art director) Grant Van Der Slagt Set Decoration by Elizabeth Wilcox Costume Design by Renée April Makeup Department: Emanuela Daus, Vanessa Giles, Naomi Hirano, Emma Jacobs, Michael Nickiforek animal effects fabrication: Vicki Syskakis, Bill Terezakis Production Management: Bonnie Benwick Special Effects by Cara E. Anderson, Shawn Florchak Alan Hawes, Tony Lazarowich, Chris Link, James Paradis, Harry Tomsic, Steve Tressel, Dan Youngs Visual Effects by Shaun Friedberg 'Pyrokinesis' Writers: Amanda Silver, Rick Jaffa, Pierre Boulle [suggested by novel "La planète des singes"] <br> Storyline: An origin story set in present day San Francisco, where man's own experiments with genetic engineering lead to the development of intelligence in apes and the onset of a war for supremacy. Tagline: Evolution Becomes Revolution Genres: Action - Drama - Sci-Fi - Thriller Motion Picture Rating (MPAA): Rated PG-13 for violence, terror, some sexuality and brief strong language Country: USA Language: English Release Date: 5 August 2011 (USA) Filming Locations: Mammoth Studios, Burnaby, British Columbia, Canada Production Co: Chernin Entertainment, Twentieth Century Fox Film Corporation Runtime: 105 min |
I first read LA PLANÈTE DES SINGES, translated into English as Planet of the Apes,in 1967, four years after its English translation came out in 1963, and a year before the film franchise it inspired in 1968, and was blown away. Far inferior to the book, the 1968 release of PLANET OF THE APES disappointed me. Not only was the fantastic special effects technology of the 21st century not yet in existence but I found the overall look of the film tacky. One could not help but look at the characters portrayed by Roddy McDowall, Kim Hunter, and Maurice Evans, and not fail to see Roddy McDowall, Kim Hunter, and Maurice Evans. In sharp contrast, Andy Serkis, Karin Konoval, Terry Notary, Jay Caputo, and the rest of the actors playing primates actually look like real apes. Makeup and "trick photography" [FX] have come a long way since the late 1960s. In his book, LA PLANETE, Pierre Boulle does not make it actually clear whether the apes' planet is actually earth whereas all the films based on the book, including the Rise, take place on earth. Although much of the plot is predictable, as is the case with most science-fiction films, the visual effects and the sheer scope of the film made it worth paying my senior discount of $4.00 to see this mvoe which received pretty good reviews from the professional reviewers. [an added bonus; the woman at the box office informed me that there is a $1 movie not far from Euclid] Somewhere in a San Francisco lab owned by a major medical research corporation, a scientist, Will Rodman, is working on a cure for Alzheimer's disease. Rodman's own Rodman is using chimpanzees as test subjects and he discovers that his retrovirus has the effect of raising the intelligence of his primate subject to that of humans. Rodman's boss, Steven Jacobs, orders all the test chimps to be killed and the project halted. Rodman cannot bear the thought of killing the baby chimp and smuggles it out of the lab before all the other animals are put down and the lab closed. Rodman soon discovers that Caesar has inherited human intelligence from his mother, Bright Eyes. Rodman continues to raise Caesar and eventually seeks the aid of Years pass and Caesar has become a regular member of the Rodman household. One day, Caesar looks out the window and sees one of the neighbors acting menacingly to Rodman's father whose dementia has continued to deteriorate. The father becomes confused and frightened and wants to run away from the neighbor. The man grabs the father and Caesar beocmes enraged that a member of his family is being threatened. Caesar runs out of the house and attacks the neighbor, injuring him. The authorities arrive and inform Rodman that Caesar will have to be incarcerated in a primate facility until a judgement can be made to determine what is to be done with him. Meanwhile, the apes are treated cruelly at the primate facily where they are being housed. Caesar manages to escape from the facility and breaking into Rodman's house while he and Caroline are asleep, Caesar steals all the vials of the virus, abd releases the gas among the apes back at the facility. Within minutes, the apes fight their way out of the facility and make their way to the San Francisco zoo where they release all the apes there. Caesar has become their undisputed leader. He realizes that the apes will have to make their way out of the city into the countryside in order to survive. When Caesar grabs one of the facility workers, the script writers even manage in a campy way, to put Charlton Heston's classic line, "Take your paws off me, you damn dirty ape!" into the man's lines. As the primates make their way to the Golden Gate Bridge, they leave a trail of killing, destruction, and general mayhem in their path. The police and army are called out to prevent the apes from crossing the Golden Gate and to kill all of them. There is a horrendous battle between apes and humans on the bridge and finally most of the police and soldiers are killed as the apes disappear among the Redwood trees of Marin County. Rodman suspects that Caesar will lead the apes to the Redwood Forrest because as a baby chimp, he played there. Rodman catches up to the apes who threaten to kill him but Caesar gestures them to leave Rodman alone. Rodman pleads with Caesar. "Come home with me", he says. Caesar looks at Rodman and for the first time he speaks. "I am home", he says. Rodman is amazed and tells Caesar, "Well, if you are really home, then run free." |
Meanwhile, the virus which has given apes intelligence has begun to spread out over the planet, and the audience is given to understand that the global pandemic will wipe out the human race.
We may remember Tarzan's cute chimp, Cheetah. But the fact is that chimpanzees are not cute and loveable. As adults they are mean and dangerous, and their behavior is unpredictable as was proven several years ago when a woman's pet chimp bit her face off. By the end of the film you wind up hating the chimps and other various apes in their company. Their behavior even before the cruel treatment is mean-spirited and you cannot help but wonder that their bad behavior caused the cruel treatment in the first place. I doubt that anyone in the audience felt any sympathy for them whatsoever.
Science tells is that there is a 98% DNA similarity between humans and chimps. In the genetic competition with us, they were the losers, and their very similar resmblance to us is a mockery. Really, they are God's joke. They resemble us but us on a very bad hair day.Scientists may dwell on the 2% difference between us and them but I think that the difference is the soul, which we possess and they lack. We may be smarter than they; more agile even lacking their ability to cling with hands and feet; more able to deal with the harshest environments; but none of these abilities elevates us above them as much as our human soul. It is a feature that no other creature can rise above.
Cast
James Franco ... Will Rodman |
Producers: Peter Chernin, Dylan Clark, Thomas M. Hammel, Rick Jaffa, Amanda Silver, Kurt Williams Original Music by Patrick Doyle Cinematography by Andrew Lesnie Film Editing by Conrad Buff IV, Mark Goldblatt Casting by Heike Brandstatter, Coreen Mayrs, Debra Zane Production Design by Claude Paré Art Direction by Dan Hermansen, Helen Jarvis supervising art director) Grant Van Der Slagt Set Decoration by Elizabeth Wilcox Costume Design by Renée April Makeup Department: Emanuela Daus, Vanessa Giles, Naomi Hirano, Emma Jacobs, Michael Nickiforek animal effects fabrication: Vicki Syskakis, Bill Terezakis Production Management: Bonnie Benwick Special Effects by Cara E. Anderson, Shawn Florchak Alan Hawes, Tony Lazarowich, Chris Link, James Paradis, Harry Tomsic, Steve Tressel, Dan Youngs Visual Effects by Shaun Friedberg 'Pyrokinesis' |
Trivia: Charlton Heston makes an appearance - he is featured on the TV screen in the role of Michelangelo from The Agony and the Ecstasy in the ape sanctuary bunk house.
See my review of DAWN OF THE PLANET OF THE APES HERE